Not Quite Wright: Distorting Architectural Heritage through Exhibition and Display
This project is concerned with the collection and display of architecture inside museums. More precisely, it examines how such exhibitions of architecture frequently distort built heritage through material substitutions and physical deformations, placing museum practices at odds with those of conservation professionals. Within this context, the project focuses on the work of American architect, Frank Lloyd Wright (1867-1959), whose buildings—perhaps more so than those of any other architect—have been extensively collected by museums. It aims to reassess the role and value of such collections of aberrant architecture, at a time when the discipline is gaining widespread curatorial interest in museums and galleries, and increasingly used as a means to preserve and protect architectural design as a cultural form.
Related Publications
Journal Articles
- Paine, Ashley. "The Wright House Museum: Mediated Encounters with Frank Lloyd Wright’s Domestic Architecture." SaveWright 12, no. 1 (2021): 2-5.
- Paine, Ashley. "Not Quite Wright: Re-Performing Frank Lloyd Wright’s Architecture Ex-Situ." Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 15, no. 2 (Winter 2018): 63-79.
- Paine, Ashley, and Amy Clarke. "Frank Lloyd Wright’s Posthumous Architecture." ARQ: Architectural Research Quarterly 22, no. 1 (2018): 69-80.
Book Chapters
- Paine, Ashley. "The Price Is Wright: Recovering Value in Frank Lloyd Wright’s Architectural Fragments." In Valuing Architecture: Heritage and the Economics of Culture, edited by Ashley Paine, John Macarthur and Susan Holden, 40-57. Amsterdam: Valiz, 2020.